Main Curator Resigns After Being Denounced As A “White Supremacist” For Refusing To Bar Acquisitions By White Artists – JONATHAN TURLEY

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    Leading Curator Resigns After Being Denounced As A “White Supremacist” For Refusing To Bar Acquisitions By White Artists – JONATHAN TURLEY

    <img data-attachment-id = "160198" data-permalink = "https://jonathanturley.org/2020/07/15/leading-curator-resigns-after-being-denounce-as-a-white-supremacist- for the refusal of cash acquisitions by white artists / images-1-42 / "data-orig-file =" https://i2.wp.com/jonathanturley.org/wp-content/uploads/ 2020/07 / images -1-1.jpg? Fit = 248% 2C203 & ssl = 1 "data-orig-size =" 248,203 "data-comment-opens =" ​​1 "data-image-meta =" {"aperture": " 0 "," credit ":" "," camera ":" "," caption ":" "," created_timestamp ":" 0 "," copyright ":" "," focal_length ":" 0 "," iso " : "0", "shutter_speed": "0", "title": "", "Orientation": "0"} "data-image-title =" {{PD-US}} "data-image-description = "

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    "data-medium-file =" https://i2.wp.com/jonathanturley.org/wp-content/uploads/2020/07/images-1-1.jpg?fit=248%2C203&ssl=1 "data- large-file = "https://i2.wp.com/jonathanturley.org/wp-content/uploads/2020/07/images-1-1.jpg?fit=248%2C203&ssl=1" class = "size- full wp-image-160198 alignleft "src =" https://i2.wp.com/jonathanturley.org/wp-content/uploads/2020/07/images-1-1.jpg?resize=248%2C203&ssl=1 "alt =" {{PD-US}} "width =" 248 "height =" 203 "srcset =" https://i2.wp.com/jonathanturley.org/wp-content/uploads/2020/07/images -1-1.jpg? W = 248 & ssl = 1 248w, https://i2.wp.com/jonathanturley.org/wp-content/uploads/2020/07/images-1-1.jpg?resize=150% 2C123 & ssl = 1 150w "sizes =" (maximum width: 248px) 100vw, 248px "data-recalc-dims =" 1 "/> We discussed the campaigns to remove faculties that expressed divergent views on current protests or underlying problems The art world is now caught in this troubling trend, where critics call opposing views racist and demand the removal of people who may question their de, as was the case with Gary Garrels, long-time senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA), resigned after museum staff circulated a petition accusing him of racism simply because he stated that in trying to diversify the artists in the collection, does not exclude the acquisition of artists would close just because they are white. This would not only decouple the inherent value of art, but would apply a racially discriminatory rule.

    The Garrels & # 39; colleagues and coworkers petition contains details of statements that may appear reasonable, if not essential, to an institution that is committed to presenting the greatest artistic works. The petition states: “Gary's removal from SFMOMA is not negotiable. Given his long tenure at this institution, we wonder how long his poisonous white supremacist beliefs about race and justice have determined his position as curator of the museum's content. “Given this hyperbolic language, I assumed the petition would reveal a virtual Bull Connor to the art world. Instead, the petition is led by what the signatories call the most offensive example of such "white supremacist beliefs":

    According to artnet.com, he also previously said that banning artists based solely on the fact that they are white would be "reverse discrimination". Garrels had to step back and apologized for any insult he might have caused. However, he reiterated, “I don't think I ever said that it is important to collect the art of white men. I said that it is important that we do not exclude the consideration of the art of white men. "

    If that's really the full extent of Garrels' offensive comments, the only thing that was more surprising than the language of the petition was apparent success. We previously discussed gender quotas for the subjects shown in art that raise the same underlying controversy.

    Garrels was criticized for accepting important works of art because the artists were not minorities. This includes an agreement with gap founders Donald and Doris Fisher to take over their 1,100-piece collection of modern art.

    I am less concerned about the ultimate merits than about the lack of support for these allegations against someone who has served the museum and art scene for so many years. Instead of offering details, Garrel was attacked as a white supremacist and racist. As has become common with such attacks, his arguments have been dismissed as "dog whistles" for other racists. The campaign was successful, as were many such campaigns on the college campus.

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